Sunday, 23 February 2014

ਹਿੰਦੀ ਫ਼ਿਲਮ 'ਭੁਵਨ ਸ਼ੋਮ' ਨੇ ਦਰਸ਼ਕਾਂ ਤੇ ਛੱਡੀ ਅਮਿੱਟ ਛਾਪ





ਜਲੰਧਰ : ਲੰਘੇ ਐਤਵਾਰ 23 ਮਾਰਚ ਨੂੰ ਸਥਾਨਕ ਦੇਸ਼ ਭਗਤ ਯਾਦਗਾਰ ਹਾਲ ਵਿਚ ਕੌਮਾਂਤਰੀ ਪ੍ਰਸਿੱਧੀ ਪ੍ਰਾਪਤ ਨਿਰਦੇਸ਼ਕ ਮਿਰਨਾਲ ਸੇਨ ਦੀ ਹਿੰਦੀ ਫ਼ਿਲਮ 'ਭੁਵਨ ਸ਼ੋਮ' ਦਿਖਾਈ ਗਈ। ਭੁਵਨ ਸ਼ੋਮ ਇਕ ਅਜਿਹੇ ਅਸੂਲਪ੍ਰਸਤ ਨੌਕਰਸ਼ਾਹ ਦੀ ਕਹਾਣੀ ਨੂੰ ਪੇਸ਼ ਕਰਦੀ ਹੈ ਜੋ ਆਪਣੇ ਆਪ ਨੂੰ ਦਫ਼ਤਰ ਤੱਕ ਹੀ ਸੀਮਤ ਕਰ ਲੈਂਦਾ ਹੈ। ਆਪਣੀ ਜ਼ਿੰਦਗੀ ਨੂੰ ਨਵੀਂ ਤਾਜ਼ਗੀ ਦੇਣ ਲਈ ਉਹ ਦਿਹਾਤ ਵਿਚ ਸ਼ਿਕਾਰ ਕਰਨ ਨਿਕੱਲਦਾ ਹੈ ਜਿੱਥੇ ਉਸ ਦੀ ਮੁਲਾਕਾਤ ਇੱਕ ਮਾਸੂਮ ਕੁੜੀ ਨਾਲ਼ ਹੁੰਦੀ ਹੈ। ਬਾਅਦ ਵਿਚ ਉਸ ਨੂੰ ਪਤਾ ਲਗਦਾ ਹੈ ਕਿ ਉਸ ਕੁੜੀ ਉਸ ਟਿਕਟ ਬਾਬੂ ਨਾਲ਼ ਵਿਆਹੀ ਹੋਈ ਹੈ ਜਿਸ ਦੇ ਭ੍ਰਿਸ਼ਟਾਚਾਰ ਦੀ ਉਹ ਤਹੀਕਾਤ ਕਰ ਰਿਹਾ ਹੈ। ਫ਼ਿਲਮ ਬਾਰੇ ਹੋਰ ਜਾਣਕਾਰੀ ਦਿੰਦਿਆਂ ਜਿੱਥੇ ਸੰਸਥਾ ਦਿ ਪੀਪਲਜ਼ ਵਾਇਸ ਦੇ ਕਨਵੀਨਰ ਕੁਲਵਿੰਦਰ ਨੇ ਫ਼ਿਲਮ ਨਾਲ਼ ਜੁੜੀਆਂ ਰੌਚਕ ਗੱਲਾਂ ਦੱਸੀਆਂ ਉਨ੍ਹਾਂ ਕਿਹਾ ਕਿ ਫ਼ਿਲਮ ਵਿਚ ਸਰਵੋਤਮ ਸਿਨਮੈਟੋਗ੍ਰਾਫ਼ੀ ਤੋਂ ਇਲਾਵਾ ਆਵਾਜ਼ ਅਤੇ ਸੰਗੀਤ ਦੀ ਸੁਚੱਜੀ ਵਰਤੋਂ ਕੀਤੀ ਗਈ ਹੈ। ਉਨ੍ਹਾਂ ਦਾ ਕਹਿਣਾ ਸੀ ਕਿ ਭੁਵਨ ਸ਼ੋਮ ਜਿਹੇ ਬਹੁਪਰਤੀ ਕਿਰਦਾਰ ਨੂੰ ਸਿਰਫ਼ ਉੱਤਪਲ ਦੱਤ ਜਿਹਾ ਕਲਾਕਾਰ ਹੀ ਸਕਾਰ ਕਰ ਸਕਦਾ ਸੀ। 
ਜਿਕਰਯੋਗ ਹੈ ਕਿ ਆਪਣੀ ਨਵੇਕਲੀ ਪਛਾਣ ਬਣਾ ਚੁੱਕੀ ਸੰਸਥਾ ਦਿ ਪੀਪਲਜ਼ ਵਾਇਸ ਵਲੋਂ ਦੇਸ਼ ਭਗਤ ਯਾਦਗਾਰ ਹਾਲ, ਜਲੰਧਰ ਵਿਚ ਪਿਛਲੇ ਕਈ ਸਾਲਾਂ ਤੋਂ ਮਹੀਨੇ ਦੇ ਆਖ਼ਰੀ ਐਤਵਾਰ ਨੂੰ ਇਕ ਫ਼ਿਲਮ ਸ਼ੋਅ ਕੀਤਾ ਜਾਂਦਾ ਹੈ ਜਿਸ ਵਿਚ ਫ਼ਿਲਮ ਦਾ ਪਰਦਰਸ਼ਨ ਅਤੇ ਉਸ ਤੇ ਵਿਚਾਰ ਚਰਚਾ ਵੀ ਕਰਵਾਈ ਜਾਂਦੀ ਹੈ।    

Thursday, 20 February 2014

ਦੀ ਪੀਪਲਜ਼ ਵਾਇਸ ਵਲੋਂ ਹਿੰਦੀ ਫ਼ਿਲਮ 'ਭੁਵਨ ਸ਼ੋਮ' ਦਾ ਪਰਦਰਸ਼ਨ ਐਤਵਾਰ ਨੂੰ


ਦੀ ਪੀਪਲਜ਼ ਵਾਇਸ ਵਲੋਂ ਸਮਾਂਤਰ ਸਿਨੇਮੇ ਦੇ ਮੀਲਪੱਥਰ ਵਜੋਂ ਜਾਣੀ ਜਾਂਦੀ ਫ਼ਿਲਮ 'ਭੁਵਨ ਸ਼ੋਮ' ਦਾ ਪਰਦਰਸ਼ਨ ਦੇਸ਼ ਭਗਤ ਯਾਦਗਾਰ ਹਾਲ, ਜਲੰਧਰ ਵਿਚ ਐਤਵਾਰ 23 ਫਰਵਰੀ, 2013 ਨੂੰ ਤਿੰਨ ਵਜੇ ਕੀਤਾ ਜਾਵੇਗਾ। ਕਈ ਕੌਮੀ ਇਨਾਮ ਜੇਤੂ ਫ਼ਿਲਮ ਭੁਵਨ ਸ਼ੋਮ ਦੇ ਨਿਰਦੇਸ਼ਕ ਹਨ ਮਿਰਣਾਲ ਮੇਨ। ਫ਼ਿਲਮ ਦੇ ਪਰਦਰਸ਼ਨ ਤੋਂ ਬਾਅਦ ਇਸ ਤੇ ਵਿਚਾਰ ਚਰਚਾ ਵੀ ਹੋਵੇਗੀ। ਜ਼ਿਕਰਯੋਗ ਹੈ ਕਿ ਆਪਣੀ ਨਵੇਕਲੀ ਪਹਿਲਦਕਮੀ ਲਈ ਜਾਣੀ ਜਾਂਦੀ ਸੰਸਥਾ ਦੀ ਪੀਪਲਜ਼ ਵਾਇਸ ਪਿਛਲੇ ਇਕ ਦਹਾਕੇ ਤੋਂ ਵੀ ਜ਼ਿਆਦਾ ਸਮੇਂ ਤੋਂ ਲੋਕਪੱਖੀ ਕਲਾ ਖ਼ਾਸ ਕਰਕੇ ਸਿਨੇਮੇ ਲਈ ਦੇ ਪਰਦਰਸ਼ਣਾ ਲਈ ਜਾਣੀ ਜਾਂਦੀ ਹੈ। ਇਸ ਫ਼ਿਲਮ ਸ਼ੌਅ ਵਿਚ ਸਭ ਨੂੰ ਪਹੁੰਚਣ ਦਾ ਖੁੱਲਾ ਸੱਦਾ ਹੈ।  

Tuesday, 14 January 2014

Flying Machine by Leonardo da Vinci


Flying Machine (1488)

a design by famous painter Leonardo da Vinci

Marilyn Monroe's Left Connections!


The FBI files on Marilyn Monroe that could not be located earlier this year have been found and re-issued, revealing the names of some of the movie star’s communist-leaning acquaintances who drew concern from government officials and her own entourage.But the files, which previously had been heavily redacted, do not contain any new information about Monroe’s death 50 years ago. Letters and news clippings included in the file show the bureau was aware of theories the actress had been killed, but they do not show that any effort was undertaken to investigate the claims. Los Angeles authorities concluded Monroe’s death was a probable suicide.Recently obtained by The Associated Press through the Freedom of Information Act, the updated FBI files do show the extent the agency was monitoring Monroe for ties to communism in the years before her death in August 1962.The records reveal that some in Monroe’s inner circle were concerned about her association with Frederick Vanderbilt Field, who was disinherited from his wealthy family over his leftist views.A trip to Mexico earlier that year to shop for furniture brought Monroe in contact with Field, who was living in the country with his wife in self-imposed exile. Informants reported to the FBI that a “mutual infatuation” had developed between Field and Monroe, which caused concern among some in her inner circle, including her therapist, the files state. “This situation caused considerable dismay among Miss Monroe’s entourage and also among the (American Communist Group in Mexico),” the file states. It includes references to an interior decorator who worked with Monroe’s analyst reporting her connection to Field to the doctor. Field’s autobiography devotes an entire chapter to Monroe’s Mexico trip, “An Indian Summer Interlude.” He mentions that he and his wife accompanied Monroe on shopping trips and meals and he only mentions politics once in a passage on their dinnertime conversations.“She talked mostly about herself and some of the people who had been or still were important to her,” Field wrote in “From Right to Left.” ”She told us about her strong feelings for civil rights, for black equality, as well as her admiration for what was being done in China, her anger at red-baiting and McCarthyism and her hatred of (FBI director) J. Edgar Hoover.”

Saturday, 28 December 2013

Screening of Anhey Ghode Da Daan on Tomorrow


A Film Show by The People's Voice
Date : 29.12.2013

Time : 3.00 P.M.

Venue : Desh Bhagat Yadgar Hall, Jalandhar

All are cordially Invited

National Award winning Punjabi film “Anhey Ghorey Da Daan” (“Alms for the Blind Horse”) focusing on the lives of villagers battling the realities of industrial development is releasing in Delhi, Mumbai, Jalandhar and Ludhiana on August 10.
It has been made by Gurvinder Singh, who specialises in documentary films. He graduated in film direction at Film and Television Institute of India, Pune, in 2001. His documentaries include “Legs Above My Feet” and “Kavalam”.
Though the debutant feature film director lived in Delhi throughout his growing up years, his roots lay in his native State. And he wanted to use the creative medium of cinema to highlight how lower caste farmers in Punjab were being oppressed.
Gurvinder, who acknowledges the immeasurable contribution of late cinema doyen Mani Kaul in moulding his cinematic sensibilities, says the late filmmaker was instrumental in teaching him what cinema was all about.
“Mani was my mentor who taught me the basics of filmmaking. I had the privileged of working under him. National Film Development Corporation had requested Mani Kaul to be the creative producer of this Punjabi film. Unfortunately he was dogged with ill-health and was bed-ridden. Even then I would seek suggestions from him. Indeed it is very sad that he could not live long to watch the film’s screening.”
Noting that his directorial venture was based on Prof. Gurdial Singh’s novel, Gurvinder says though the book is set in 1970s it points out some relevant issues like migration, alienation of lower caste and zamindars indulging in bullying are still contemporaneous.
“My film talks about the trial and tribulations of a Dalit family. I deliberately chose to use the village of Sivian near Bhatinda because I was familiar with the place as I had made a documentary on folk ballads there. Instead of regular actors from films and theatre, I took villagers as my actors. As non-actors they could express themselves. I did not want any actor because he would not have been able to play the part of a villager with conviction. For me the character’s face was more important. Secondly I could not take any actor because he would not have looked like a lower caste.”
On the need to director his debut film in Punjabi, Gurvinder says: “What is the harm of making a film in one’s mother tongue? If filmmakers like me do not make a film in Punjabi then it would signal death of the language. I do not want to be part of the rat race of Hindi films. How would Punjabi literature survive? I have friends in Bollywood but am not working on any Hindi film.”
The filmmaker is not even willing to dub his film into Hindi. He argues that each language has its own aesthetics and the moment he dubs “Anhey Ghorey Da Daan” into Hindi, it will lose its charm and individuality.
Gurvinder is making another Punjabi film that has Operation Bluestar as background. He insists that his film does not talk about the Operation but it portrays how people were affected by it.
“I was in Delhi when the Operation Bluestar was launched. After the assassination of Indira Gandhi, when riotous mobs were killing Sikhs, my Hindu neighbour gave me shelter. From the window I could see our gurdwara being burnt. The anti-Sikh riots left a deep impression on me. ”

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